Fruto (2005)
The power of this work came out of nowhere and surprised the musical press in Brazil. "She enters our discography," wrote esteemed critic Arthur Nestrovski in Folha de São Paulo, "with impressive security and considerable daring." He goes on to cite the recording's many strengths, as have reviews from around the globe." (+)
Candeias (2009)
Like her first recording, Candeias has met with great reviews. All About Jazz called it a "flawless work from a major new artist," and Musica Brasileira wrote that "the album doesn't serve as a history class but more as a class in how history can form the basis of contemporary music." (+)